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Beethoven, Sonata Nr​.​29 "Hammerklavier", Opus 106

by Alberto Sanna

supported by
Nick Bradey
Nick Bradey thumbnail
Nick Bradey Fascinating- one can imagine hearing this
performed in Beethoven’s lifetime . This may , or may not , be “authentic .” This gives
perhaps some insight into how the music was played during Beethoven’s lifetime .
I probably will continue to more frequently play my recordings of Wilhelm Kempff , but this recording offers a unique experience.
The range of the pianoforte exceeds the fortepiano of Beethoven’s time .
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about

Beethoven's famous "Hammerklavier" Sonata, in a whopping 75 minute version, played in an uncompromising way, following the master's Metronome Marks exactly as his Pedal Indications.
Performed on a 2019 copy (Joris Potvlieghe) of a 1816 Viennese Fortepiano (Johann Fritz).

credits

released February 29, 2020

Instrument: Joris Potvlieghe (2019) after Johann Fritz (1816)
Recording equipment:
2 x Neumann TML180r / Presonus ADL600 preamp / Benchmark USB1 ADC

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about

Authentic Sound Brussels, Belgium

Wim Winters (1972) began his musical studies in 1984. At age 13, Wim Winters was awarded First Prize in an international competition in The Netherlands and subsequently decided to pursue a career in music.

He studied at the Sweelinck conservatory in Amsterdam, with Jacques van Oortmerssen (organ) and Willem Brons (piano).

Wim is also involved in restoration projects of historic organs.
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